Dela Anyah, born in 1986 in Accra, Ghana, is a multidisciplinary artist who creates works from worn-out tires, inner tubes, and license plates.

Reinterpreting traditional African weaving techniques, the artist crafts abstract compositions where each material’s deterioration tells a story. Through his installations, Dela Anyah challenges the notion of value and obsolescence, reinventing what is deemed useless by giving it new artistic and social significance.

He was finalist of the ellipse prize dedicated to Ghana.